OVERVIEW
Chapter 1 Methodical approach and Theory
1.1 Methodology
1.1.1 Composition methods
1.2 Empiric and field work
1.3 Ethics
1.4 Sound discourses
1.4.1 Sound and aesthetics
1.4.2 World music and global perspectives
Chapter 2 Composing, arranging and orchestration
2.1 Composing: The process
2.2 Rehearsals
2.3 Microtuning, temperate scales and cultural significance
Chapter 3 The records
3.1 Thailand and Cambodia
3.2 Lebanon and Palestine
3.3 Asian Flow – The studio records
3.4 Live in Concert
3.4.1 Case: No More Tears
3.4.2 Case: Ya Tara
3.5 Dawara – The live album
3.6 Postproduction: Sound aesthetics and preferences
Chapter 4 Overall Discussions
4.1 Live vs Studio Recording
4.2 Global Sound