Chapter 1 Methodical approach and Theory
1.1 Methodology
1.1.1 Composition methods 
1.2 Field work 
1.3 Ethics
1.4 Sound discourses
1.4.1 Sound and aesthetics
1.4.2 World music and global perspectives
Chapter 2 Composing, arranging and orchestration
2.1 Composing: The process
2.2 Rehearsals
2.3 Microtuning, temperate scales and cultural significance
Chapter 3 The records
3.1 Thailand and Cambodia
3.2 Lebanon and Palestine
3.3 Asian Flow – The studio records 
3.4 Live in Concert  
3.4.1 Case: No More Tears
3.4.2 Case: Ya Tara
3.5 Dawara – The live album
3.6 Postproduction: Sound aesthetics and preferences
Chapter 4 Overall Discussions
4.1 Live vs Studio Recording
4.2 Global Sound
Chapter 5 Final Comments
Appendix I: Glossary and musical terms 
Appendix II: Albums
Appendix III: Scores
Appendix IV: Lyrics

Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Consent to display content from - Youtube
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google